"The story begins with the narrator, relating the decision of the unnamed protagonist (who represents the reader) to leave town. The protagonist travels through several geometrical and polychromatic landscapes and places, eventually encountering a place simply called "The Waiting Place", which is ominously addressed as being a place where everyone is always waiting for something to happen. As the protagonist continues to explore, spurred on by the thoughts of places he will visit and things he will discover, the book cheerfully concludes with an open end." Show Hexaflex points addressed Self-As-Context - At one point the narrator talks about how difficult some of the challenges you will faces will be. "Games you can't win, Cause you'll play against you." Commited Action - The narrator tells the reader about getting in a slump he states "Unslumping yourself is not easily done." But the point is to keep moving forward Experiential Avoidance - The Waiting Place is where people are waiting for things to happen to them instead making things happen. It doesn't say exactly why, but I think it's fair to say that they are waiting to avoid being uncomfortable. This reminds me of the Waiting for the Wrong Train metaphor. You're off to Great Places! Today is your day! Your mountain is waiting. So...get on your way! KID, YOU'LL MOVE MOUNTAINS! This classic book, loved by generations of families, talks to the young (or adult!) reader about what life is, what they can expect as they get older and how to move through the experience of living with joy, thankfulness, ambition and kindness. Sometimes things will be wonderful; sometimes there will be challenges. You may meet people who aren’t quite what you expected or find streets you might nor feel are right for you to walk on. You may fall in love and do the most wonderful things in the world. But most of all, you have a choice: You have brains in your head. You have feet in your shoes. You can steer yourself in any direction you choose. Young children will enjoy the recognizable Dr Seuss rhythms, and the illustrations are as crazy as ever. But also, this is a book that parents and children can return to again and again – perhaps when it’s time to talk about difficult times, or growing up and finding a place in the world. It’s a deeply philosophical book and perfect for new parents or parents-to-be.
Our hero decides not to go down some “not-so-good streets.” In fact, he doesn’t like any of the streets around him so he heads straight out of town where:
Then things start to become a bit more Seussian! Our hero starts to approach strange new places with Horton-looking elephants. He is, once again, headed toward the next page with a confident steady stride.
The next spread of pages grabs the reader’s attention with bold solid stripes taking over the pages in bright colors! For the first time we see our hero with his back to us, looking in wonder just as the reader is.
Soon our hero is in the lead with all the other balloons close behind. The hills are colorful square patches rolling off into the distance. Then Seuss slams on the breaks. Our hero’s balloon is stuck on a branch and he’s watching everyone else fly by, leaving him behind with a look of surprise on his face. The hills are now a somber blue. “You can get all hung up Then the background gets dark and squiggly! Our hero is on the ground, still moving forward, but much more hesitantly. His surroundings are lumpy and droopy in dull blues and purples.
Things become even stranger and more unfamiliar to our hero. He is presented with a mishmash of curvy arches and doorways in different colors. None of them are marked and there are no clear paths. Our hero chooses a direction, but he runs down it at full speed and becomes even more lost in an even stranger place. Then he arrives at The Waiting Place where everything is stagnant because it is a place…Somehow our hero breaks free! The next page is colorful again and big and loud! There are several strange musical instruments all being played at full blast! “Somehow you’ll escape Then the elephants are back in full numbers with banners held high. Our hero sits on one of their heads once again confidently heading towards the future! He plays wild Seussian sports with crazy nets and hoops and other players popping up out of the ground!
Now our hero plays alone with a single ball and an old tattered hoop. He is on a crazy, rickety, old Seussian-structured house. The colors are dull and our hero has no smile.
Once again, our hero has his back to us as he faces another strange archway, but now it’s much darker and ominous with large eyes staring at him and Tim Burton like trees on a flat landscape.
Now for the first time our hero is facing back towards the rest of the book rather than forward toward the next page. He is in a small row boat on endless dark waters with only large wailing creatures around him. The blue of the water is heavily contrasted by the large orange cave on the next page. Our hero now pats a vicious looking creature on the nose. He is back to facing what is coming.
Then our hero is seen in a crazy mess of birds walking on each others’ heads. Each row alternates going left and then right. All the ones going forward toward the right have smiles on their faces with their beaks held high. The birds going back toward the left are depressed with slumping posture. Our hero is turned around yet again and headed backwards. (Image can be seen in the HISTORY section of this post.)
Our hero gets facing the right direction again at the very tip of the bottom right corner ready to take on any challenge. He is pulling a rope with a great mountain on wheels trailing behind him.
The final page ends just as the beginning started. With our hero in the exact same pose on an all white page confidently headed toward the future.
ABOUT: The Morgan and Morgan biography describes this book as:
I couldn’t help but comment on the main character’s position on the page in relation to the rest of his surrounding. In the summary above I constantly refer to him facing toward the right. I think this was a very intentional choice on Seuss’ part. We read left to right so having the main character headed toward the right keeps the flow of the story moving so that we are excited to see where he ends up when we turn the page. The few moments that he is not turned to the right make those pages all the more powerful. When his back is turned to us we, as readers, spend a little extra time marveling at the rest of the page as he does. When he is facing backward toward the left we hesitate to turn the page in case we lose him forcing us to spend a somber moment reflecting. Reading Oh, the Places You’ll Go! is like climbing into a car with Seuss behind the wheel. He drives the story forwards, slows it down, speeds it back up, and even slams on the breaks. This is done not only through the physical position of the hero, but also by the rhythm of his poetry, as well as, with color theory and line movement. It can definitely be said that Seuss does this in all of his books. His ability to manipulate the reader’s emotion into not only wanting, but needing to flip the page is why he is such a successful writer. Oh, the Places You’ll Go! is merely a culmination of all his tricks of story telling. We can see his use of color theory in the contrast between the gloomy dark blues and purples he uses when the hero is lost compared to the bright orange cave when he is ready to face up to his challenges. We see it again when there are soft pastels filling out the page as he heads gleefully toward his future in a hot air balloon, but then the page is almost void of color as he gets hung up on a bare black tree with only deep blue hills below him. Through all of these aspects of story telling Seuss plays with our heartstrings in a way that reaches children as well as adults of any age. This story is a heartfelt adventure that each of us goes through as a human being and also one that we go through several times in our lives. Whether we go to a new school or a new job or move to a new city, every time an aspect of our lives changes we go through this story in some way. We try, we succeed, we lead, we follow, we fail, we wait, we try again. This repetition in our own lives makes this a book worth reading over and over. HISTORY: It seems odd, but there is no dedication. Very few of Seuss’ “big books” do not have a dedication. I like to think it is because this book is dedicated to himself and all of his previous work as a whole. Seuss explained the title by saying:
When Oh, the Places You’ll Go! was published it went straight to the top of New York Times’ adult best-seller list and stayed on it for two years. Seuss said,
Jim Henson made an appointment with Seuss to make a video adaptation of Oh, the Places You’ll Go!, but Henson died two days before they were supposed to meet. He was fifty-three years old. Seuss also made plans with Tri-Star Productions to turn it into a full length feature film. Although it was never realized he did start to write extra material including this song:
In 1975 Dr. Seuss wrote a verse for the New York Times entitled The Economic Situation Clarified: A prognostic re-evaluation.
A footnote at the bottom of the verse reads:
Seuss drew the image below on the left for that verse. The image on the right is from Oh, The Places You’ll Go! published fifteen years later. It seems Seuss used the exact same image, but replaced one of the birds with our hero and added some color. Even before the Economic Situation Clarified Seuss had characters walking on each others’ heads. The following image is from If I Ran the Circus which was published in 1956, thirty-four years before Oh, the Places You’ll Go! The newer cover bugs me, as usual, because it uses an image from the inside of the book rather than the original cover’s image. The original image of “you” on top of a rainbow cone-shaped mountain (seen at the top of this post) is not found anywhere else in the book so when it is taken off of the cover it is basically a piece of art just completely removed from the story!FAVORITE QUOTE:
This quote breaks my heart every time I read it. I’m all teary-eyed just typing it out. It is so beautifully honest and something that we need to hear and accept more often as we grow up, so that it isn’t quite so shocking when it inevitably happens. If we are prepared for it then we can accept it and move forward. FAVORITE IMAGE: My favorite image is definitely The Waiting Place. It’s like a Where’s Waldo page of depression. I love all the detail and I don’t think there is any other page in all of Dr. Seuss’ work that has so many human figures in Seussian style. Who is the main character in Oh the places you'll go?A young boy, referred to simply as "you", initiates the action of the story; the presence of a main character helps readers to identify with the book. Unlike other Dr. Seuss books, it is written in the second person and uses the future tense.
What is the summary of Oh the places you'll go?This classic book, loved by generations of families, talks to the young (or adult!) reader about what life is, what they can expect as they get older and how to move through the experience of living with joy, thankfulness, ambition and kindness. Sometimes things will be wonderful; sometimes there will be challenges.
What is the problem of oh the places you'll go?No, the problem of “Oh, the Places You'll Go!” is that it's trite, shallow and (an occupational hazard that can accompany writing for children) childish.
What are some good things mentioned in oh the places you ll go?Oh, The Places You'll Go Summary. Be Proactive and Accept Responsibility. “You have brains in your head. ... . Take a risk. Try something new. ... . Not everything works all of the time. ... . Don't procrastinate.. |