Nicole Kidman and Colin Farrell have become cinema's strangest on-screen couple. When last we saw them, in The Beguiled, they were having a 19th century fling that turned into a slow motion horror show featuring (spoilers!) poison mushrooms and amputations. Show
In The Killing of a Sacred Deer, they're back together, and at the outset reasonably happy in their own kinky way. Farrell is a prosperous heart surgeon named Stephen, Kidman his wife Anna. There is an early scene of foreplay: She is nude and motionless on their bed, asking if he'd like the usual, by which she means adopting the posture of a patient under "general anesthesia." The entire drama is drugged. Expressionless characters mope about, saying inappropriate things with an exaggerated deadpan calm ("Our daughter has just started menstruating") and remaining straight-faced even as events turn gruesome. For Kidman, it's like being in Stepford all over again. Director Yorgos Lanthimos (The Lobster) has modeled his drama on Euripides' Iphigenia in Aulis, and it's even mentioned here by name. It's the story of the Greek king Agamemnon preparing to sacrifice his own daughter to right a past wrong, so the gods may grant him favorable winds for his war on Troy. Physician Stephen, whose wealth suggests kingly privilege, is also haunted by a past mistake, and is slow to realize that the young man named Martin (Barry Keoghan, the doomed civilian teen in Dunkirk) following him around doesn't want advice or counseling. He wants revenge. Martin is the most stone-faced of the bunch, but what we initially see as adolescent shyness and lack of self-confidence turns out to be quite the opposite. He's monstrously in control — an art film version of the Saw manipulator. His plan for Stephen's family is remorseless and savage. Savage, but not tragic. Lanthimos is not Euripides, and not capable of — or interested in — staging a tragedy. And his aim to make something horrifying or at least excruciating out of this scenario gets lost in the iciness of the presentation. The characters don't register as real. Stephen's dilemma — he must choose to sacrifice someone he loves — carries no real emotional weight. Farrell finally breaks a sweat in the climactic scenes, but by then the movie has begun to plod, as we wait for Lanthimos to confirm his reputation as a conjurer of outrageous images, or outrageous laughs. I laughed exactly once, when, in a gesture of appeasement in keeping with the Greek legend, Stephen's family offers Martin his favorite a side dish. Having bent to his cruel, god-like will, they have a final question: Do you want fries with that?
The Killing of a Sacred Deer is a 2017 psychological horror thriller film directed by Yorgos Lanthimos and starring Colin Farrell, Nicole Kidman, Barry Keoghan, Raffey Cassidy, Sunny Suljic, Alicia Silverstone, and Bill Camp. The screenplay by Lanthimos and Efthymis Filippou was inspired by the ancient Greek tragedy Iphigenia in Aulis by Euripides,[3][4] and follows a cardiac surgeon who introduces his family to a teenage boy with a connection to his past, after which they mysteriously begin to fall ill. The film was selected to compete for the Palme d'Or in the main competition section of the 2017 Cannes Film Festival. It was theatrically released in the United States by A24 on 20 October 2017, and in the United Kingdom and Ireland by Curzon Artificial Eye on 3 November. Critical response to the film was mostly positive, and it grossed over $7 million worldwide.[5] Plot[edit]After performing an open heart surgery, Steven Murphy, a cardiothoracic surgeon in Cincinnati, goes to a diner to meet sixteen-year-old Martin Lang, whose father died a few years earlier, before returning home to his wife, Anna, and their children, Kim, who is fourteen, and Bob, who is younger. Steven decides to invite Martin to meet his family, and Martin gets along with everyone, especially Kim, but, that night, Martin calls to say he has already told his mother that Steven is coming to dinner the following evening. Martin insists Steven stay to watch a movie after the meal, but he leaves partway through to go to bed, and his mother gets amorous with Steven. She says Martin wants it as much as she does, and Steven leaves. Martin visits Steven's office, complaining of chest pain he worries is caused by the same condition that killed his father. The tests Steven runs show nothing wrong, and Martin invites Steven over again, saying his mother finds Steven attractive, but Steven responds that he is happy with his family. After this, Martin's demands for Steven's attention grow increasingly frequent and desperate, and Steven stops responding. He is troubled when Kim tells him that Martin gave her a ride home. One morning, Bob says he cannot move his legs, so Steven and Anna rush him to the hospital. He recovers during his examination and is sent home, but then relapses and is admitted while more tests are done. Martin visits Bob and talks with Steven to explain that, to "balance things" for his father's death, which occurred in Steven's operating room, Steven must kill either Bob, Kim, or Anna, or else, within a few days, they will all die after becoming paralyzed, refusing to eat, and bleeding from the eyes. Steven has Martin escorted from the hospital and is troubled to see Bob refusing to eat. Bob's condition does not improve, but no cause can be found. Kim, who has fallen in love with Martin, collapses and is also hospitalized. She chokes when Steven tries to make her eat, and she and Bob are given feeding tubes. Steven admits his true history with Martin to Anna, as well as that he had two drinks before operating on Martin's father. After witnessing Kim stand up when Martin tells her to do so over the phone and become paralyzed again when he hangs up, Anna is convinced that Martin has some sort of power, so she visits him to ask why she and her children should suffer for Steven's mistake. He says it is the closest thing that he can think of to justice. Eventually, Kim and Bob are sent home. When Anna castigates Steven for both causing and not solving their predicament, he kidnaps Martin and ties the boy up in his basement. He beats Martin and shoots him in the leg, but Martin is not intimidated. The children argue over whom their father will choose to kill and try to curry his favor, and Steven asks the school principal which of his children is "best". Anna tends to Martin's wounds and brings the children to see him, but fails to elicit any sympathy. She then tells Steven that he should kill one of the children, not her, because she can have another child. Kim fails to persuade Martin to heal her so they can run away together and then tells Steven how much she loves her family and offers her life to save theirs. Finally, hopeless, Anna releases Martin. When Bob begins bleeding from his eyes, which Martin said would happen a few hours before death, Steven places him, Kim, and Anna in a circle, bound with duct tape, and covers their heads. Steven pulls a woolen hat over his face, spins around, and fires a rifle. He narrowly misses Kim and Anna, but the third shot kills Bob. Some time later, Martin, his face still somewhat bruised, enters the diner where he and Steven used to meet. The remaining Murphys are inside and promptly leave. Martin watches as they go. Steven avoids his gaze, Anna shoots him an icy glare, and Kim, who is healed, glances back before walking out the door. Cast[edit]
Production[edit]On 11 May 2016, it was announced that Farrell had been cast in the film, with Lanthimos directing from a screenplay he wrote with Filipou, and Film4 Productions and Element Pictures producing.[6] Kidman was cast that June,[7] and Silverstone, Cassidy, Camp, Keoghan, and Suljic joined the project in August.[8] By 23 August 2016, the film had begun principal photography at The Christ Hospital in Cincinnati.[9] Shooting also took place in the Hyde Park and Northside neighborhoods of the city.[10] Release[edit]In May 2016, A24 acquired the film's U.S. distribution rights[11] and Haut et Court acquired the French distribution rights.[12] The film had its world premiere on 22 May 2017 at the 70th Cannes Film Festival,[13][14][15] where Lanthimos and Filippou won the Best Screenplay award.[16] It began its theatrical release on 20 October 2017 in the United States,[17][18] and on 3 November 2017 in the United Kingdom and Ireland. Reception[edit]Critical response[edit]On review aggregator website Rotten Tomatoes, the film has an approval rating of 80% based on 279 reviews, with an average rating of 7.7/10; the website's "critics consensus" reads: "The Killing of a Sacred Deer continues director Yorgos Lanthimos' stubbornly idiosyncratic streak—and demonstrates again that he is a talent not to be ignored."[19] On Metacritic, the film has a weighted average score of 73 out of 100, based on 45 critics, indicating "generally favorable reviews".[20] The Killing of a Sacred Deer was named "one of the best horror movies of the year" by Joey Keogh of Wicked Horror, who called it "horror in its purest, most distilled form, freed from the shackles of jump scares or exposition." Keogh wrote that Keoghan is the film's "ace card", giving "his best, most self-assured performance to date" as Martin, the "supremely frightening yet weirdly charismatic creation who makes even the act of eating spaghetti seem terrifying."[21] Zhuo-Ning Su of Awards Daily wrote that the film is "less complex than [Lanthimos's] previous work but engrosses and unsettles all the same", adding that it "palpably improves" in its second hour. While praising the cast, particularly Kidman, Su added that Keoghan "shines brightest as the plain but charismatic boy who's somehow not quite right", calling his performance "vivid" and "fully realised".[22] In a mixed review, Nicholas Bell of ION Cinema wrote that the "mysterious, highly metaphorical" film, which he compared to "something from the Old Testament", "finds the director getting a bit too hung up on his own idiosyncrasies." He also criticized Lanthimos's and Filippou's "overtly precise dialogue" which he felt "straitjacketed" the actors, but he praised director of photography Thimios Bakatakis and the "eerie" score. Bell summarized the film as "interesting, but a bit too ambiguous to remain as uncomfortably off-putting as it hopes".[23] Trace Thurman gave the film a five-star review in Bloody Disgusting, saying it would be "the most unsettling film you see this year" and giving particular credit to Lanthimos's direction and Bakatakis's cinematography, which he said give the film a "surreal, otherworldly quality". Thurman also praised the cast, writing that Farrell and Kidman "deliver their lines with a stilted coldness that sends chills up the spine", and calling the younger actors "equally impressive, with Keoghan being the standout. He gives an eerie performance that you believe to be that of a psychopath".[24] Also writing for Bloody Disgusting, Benedict Seal gave the film a one-star review, stating that it had "none of the escalating intrigue and tension" of the The Gift and The Witch, which were both released in 2015. Seal added that the film plays out "mechanically" after the reveal in the middle and said the visuals were "striking at times", but became "monotonous and garish", before summing up the film as "the biggest bum note yet from one of the most overrated directors in the art-house world" and "an epic embarrassment".[25] Accolades[edit]Accolades for The Killing of a Sacred Deer
References[edit]
External links[edit]How does Martin poison Stevens family?Martin (Barry Keoghan) tells Dr. Steven Murphy (Colin Farrell) that, in light of Steven botching Martin's father's surgery resulting in his death, Steven's family (Nicole Kidman, Raffey Cassidy, Sunny Suljic) will die from a mysterious illness with mysterious symptoms, unless Steven himself chooses one to kill.
What was wrong with the family in The Killing of a Sacred Deer?Bob (Sunny Suljic) and Kim (Raffey Cassidy) are at the brink of death when their legs become paralyzed; they lose their appetite and their bodies grow weaker. This comes after Martin's prophecy to Steven, as he vowed he will have justice for his father.
Is Martin autistic in killing of a sacred deer?Rather, Martin's clumsy attachment and stiffly formal behavior suggest that his character is not just on the autism spectrum, but well beyond it, as if the character existed in another dimension of social awkwardness and inappropriate comments.
What happened in The Killing of a Sacred Deer?The Killing Of A Sacred Deer ends with Steven tying up his family when Bob starts bleeding from the eyes — the last stage before death. Steven then blindfolds himself and spins around with a rifle, firing randomly, so he still doesn't have to make a choice.
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How does Martin poison the family in the Killing of a Sacred Deer
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