Why was bring him home written?

This is the first entry in my new series – Who Sang It Better when I look at different versions of the song and come to my humble conclusion of who sang it better? I’d love to hear from you to see if you agree with my conclusion!

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I am starting the series off with a classic – Bring Him Home. This song is sung by Jean Val John in Les Miserables. It is sung at the barricades about Marius.  Lets start off with Colm Wilkinson who was the original Val Jean in the West End and Broadway and was who the song was written for. He also sung the part in the 10 year anniversary concert.

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This video is taken from the 10 year anniversary concert. If you are who the song is written for then it should sit perfectly in your range and show off your voice – as it does. However it’s not just that with Colm- his utter immersion in the character and anguish is so clear. To me the end note that Colm hits is pure passion and held perfectly.

Lets next turn to Alfie Boe whilst we are looking at the anniversary concerts who played the role in the 25 year concert at the 02.

Alfie Boe has a very different style to Colm Wilkinson, much more operatic. I am a massive Alfie Boe fan and the tone in his voice is so rich in this song but I do think the operatic sound means some of the variety of emotion is lost, although there is that additional strength there. Colm pips Alfie to the post…..just.

One of the other more noteable Val Jeans is John Owen-Jones who originally played the role in 1998 and most recently the 25 year anniversary tour. He was the youngest ever Jean Val Jean…

I love John Owen-Jones passion at 1:20- 1:40 – his voice just soars and those long notes are held with such intensity I wanted to rewind it. It pains me to say it but I do actually prefer John Owen-Jones over Mr Boe, however Colm is still in the lead for me.

One of the other more famous Val Jeans is Simon Bowman however I have been unable to find a good enough video to put on here. You can however hear him singing, along with the 3 stars above in the below video – from the 25 year anniversary concert.

Off course Hugh Jackman played Val Jean in the 2012 film …..

//www.youtube.com/watch?v=5svrJ58BuLs

Normally i adore Hugh Jackman and I appreciate that he is a theatre talent in his own right, not simply a Hollywood actor but I find his phrasing odd and to be honest slightly repetitive. The final note to me rather than soaring sounds strained. I do love Hugh Jackman in this film as Val Jean but purely on this song when put him up against the rest of the Gentlemen above they simply outclass him.

I have by no means looked at all the good, let alone great Jean Val Jeans but I’m keen to hear your thoughts on the above as well as all those I haven’t included.

So in my humble opinion I would say in this case, the original is best and Mr Colm Wilkinson still reigns supreme.

That was the question answered by a few people, Alfie amongst them, in today’s edition of BBC Radio 4’s Soul Music (click here to listen).

Bring Him Home is Alfie’s most famous song and also the most famous song to come out of the show for which it was written, Les Miserables.  Unsurprisingly, it was voted as Alfie Boe’s Best Ever Song by fans in 2014 and is the one song which is always heard at an Alfie concert (short guest appearances excluded).  Alfie himself says that he’d probably be lynched if he ever left it out and has been known to joke at concerts that “you can all go home now, that’s what you came for, isn’t it?” straight after singing the song.

Being an Alfie fan it’s all too easy to forget that Bring Him Home was actually written for someone, not simply for the show.  Of course, I’m talking about Colm Wilkinson and one of the most interesting parts of the programme for me was an Oxford College music director talking about how the power of the tenor voice is contained in the song, producing such an emotional response in the listener; we are aware that the voice could soar into the rafters but doesn’t.  The power is in the restraint and of course the words which perfectly capture the feeling of a prayer – the song is referred to as The Prayer in the show.  The lyricist, Herbert Kretzmer, interviewed for the programme, said that on the face of it, it could be a difficult song to write as an atheist but wasn’t as he did not need to believe in God, just in Jean Valjean’s belief in God.

Alfie was one of several people interviewed for the programme and his contribution was short and right at the beginning.  He talked movingly about how much the song means to him professionally and personally and how much he has gained by his association with it but the interesting thing was the challenge of getting the words right; get that right and the tune almost comes along by itself.  Being vocally tired when singing such an emotionally charged song means that the song sounds different, “gives it a different colour”.  I’ve heard Alfie sing this song many times in concert and each time has been different.  Different but wonderful every time.

The other contributors were divided into two groups: music professionals (Rebecca Caine, Herbert Kretzmer and Jeremy  Summer, music director at St. Peters, Oxford) and people who had turned to Bring Him Home in times of need and bereavement.  Becky Douglas was one of the latter and listening to her talk about her daughter, Amber was painful but also, ultimately uplifting; out of the darkest time of her life had come joy and purpose and meaning.  There was no doubt that Bring Him Home was a crucial part of Becky’s relationship to her daughter and also to her subsequent charity work.  Maybe the fact that I’m also a parent meant that Becky’s story spoke to me so directly and I think that is also the reason that I found Rebecca Caine speaking about the song so moving as well.  Specifically, hearing her talk about not being a parent was intensely moving.  As may be expected with a song that is often associated with loss and funerals, the programme included someone who had sung Bring Him Home at a funeral.  Frank Pearson, secretary of the Greater Manchester Police Male Voice Choir, spoke with grace and clarity about singing such an evocative and emotional song at the funeral of PC Dave Phillips, killed in Liverpool last year.  PC Phillips was a Les Mis fan apparently and it was entirely fitting that he featured on Soul Music.

Lest you fear that the programme was unremittingly sad, let me put your mind as rest by saying that it was, as I said earlier, mainly uplifting.  Listening to others talk about the power of music and the mechanics of the song itself felt like a spiritual process, whatever spiritual means to you.

So, listening to the programme inspired me to ask you what Bring Him Home means to you?  Let me know below.

Why does Valjean sing bring him home?

If God had granted me a son. And will be gone. Valjean is praying (the song is a prayer) for the safe return of Marius to Cosette, his adopted daughter, after the student goes to fight with the revolutionaries.

Who is Jean Valjean singing about in Bring Him Home?

"Bring Him Home" is a song sung by Jean Valjean about Marius at the barricade. The song comes right after "Drink with Me." It follows the style of a prayer. The lyrics were written by Herbert Kretzmer.

When was the song Bring Him Home written?

Bring Him Home 3rd in 1985 Unlike other English language songs from the musical, "Les Miserables", this work was not originally adapted from a French work.

What is the meaning of Les Miserables song?

The song “Do You Hear the People Sing?” from the celebrated musical and movie “Les Miserables” lyrically symbolizes the heart of all protests and popular movements — people who believe that their voices are being silenced. Music is one of society's best teachers.

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